Top 100 Films #2 – City Lights (1931)


0000228130#2. City Lights (1931)
Directed by: Charlie Chaplin
Written by: Charlie Chaplin
Starring: Charlie Chaplin, Virginia Cherrill, Florence Lee, Harry Myers

The films of Charlie Chaplin have always had a profound emotional effect on me – they’re truly funny, often innovative, and always full of heart. His 1931 film City Lights is without a doubt one of the most emotionally satisfying experiences in movie history. The romantic comedy has been praised as being one of the greatest movies of all-time, and features one of the most iconic romantic moments ever in its final shot. City Lights sees The Little Tramp (Charlie Chaplin) meeting and quickly falling in love with the blind Flower Girl (Virginia Cherill). That same night, the Tramp thwarts the drunken suicide attempt of an Eccentric Millionaire (Harry Myers), and the two return to the Millionaire’s mansion and form something of a unique bond. The next day, the Tramp borrows money from the Millionaire to buy all the flowers from the Flower Girl. After learning that the Girl and her Grandmother (Florence Lee) will be evicted from their home because they cannot afford to pay rent, the Tramp takes it upon himself to earn money for the pair. He takes a job as a street sweeper, takes part in a fixed boxing match, and once again becomes involved with the Millionaire. City Lights is as romantic a film as has ever been made – featuring Chaplin’s Tramp performing the most selfless actions imaginable for people who don’t even know of his existence. It’s a deeply moving story, and Chaplin uses the Tramp’s selfless nature as a launching point for some truly hilarious slapstick gags, including the aforementioned boxing match – which goes horribly wrong – and the scene where he saves the life of the Millionaire. Chaplin takes full advantage of the silent film medium, even though most of the world had since moved on to talking pictures – the silent film was Chaplin’s wheelhouse and he makes it seems as relevant as ever. Chaplin’s performance as the Tramp is as always intensely physical and goofy, with the character never seeming to be able to get ahead – he is constantly the butt of the joke, despite being the pinnacle of all that is good. Not only is City Lights still incredibly funny after all these years, but it’s also deeply moving and sad in many moments. The situation that the blind Flower Girl and her Grandmother find themselves in often seems hopeless. Even when the Tramp is making headway in making money for the two, they have no idea of his actions – it isn’t until the very end of City Lights that the two parties make formal contact. Chaplin’s film is as always humanitarian and full of themes of romance, justice, and happiness – nobody had heart quite like Charlie Chaplin. The fact that City Lights makes me weep like a baby in its closing moments is testament to how much power the film holds – the entire journey feels so worth it in the end. Only a master like Chaplin could have you crying tears of laughter one moment, and tears of sadness the next. City Lights is another example on my list of a perfect romantic comedy – it might even be the ultimate date movie. If City Lights doesn’t make you feel something deep down inside, then I’m not totally convinced you’re human at all.

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Filed under Reviews, Top 100 Films

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