Tag Archives: No Country for Old Men

Top 100 Films – Full List & Stats

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Top 100 Films – Full List

100. Rope (1948) (dir. Alfred Hitchcock)
99. The Jerk (1979) (dir. Carl Reiner)
98. Office Space (1999) (dir. Mike Judge)
97. American Movie (1999) (dir. Chris Smith)
96. Touch of Evil (1958) (dir. Orson Welles)
95. Zero Dark Thirty (2012) (dir. Kathryn Bigelow)
94. The Wrestler (2008) (dir. Darren Aronofsky)
93. The Virgin Spring (1960) (dir. Ingmar Bergman)
92. United 93 (2006) (dir. Paul Greengrass)
91. Brokeback Mountain (2003) (dir. Ang Lee)
90. Election (1999) (dir. Alexander Payne)
89. Close-Up (1990) (dir. Abbas Kiarostami)
88. Minnie and Moskowitz (1971) (dir. John Cassavetes)
87. Chungking Express (1994) (dir. Wong Kar-wai)
86. Stand By Me (1986) (dir. Rob Reiner)
85. Blazing Saddles (1974) (dir. Mel Brooks)
84. Metropolis (1927) (dir. Fritz Lang)
83. Boyz n the Hood (1991) (dir. John Singleton)
82. A Man Escaped (1956) (dir. Robert Bresson)
81. Manhattan (1979) (dir. Woody Allen)
80. Sunset Boulevard (1950) (dir. Billy Wilder)
79. All That Heaven Allows (1955) (dir. Douglas Sirk)
78. Sunrise: A Song of Two Humans (1927) (dir. F.W. Murnau)
77. No Country for Old Men (2007) (dir. Joel Coen, Ethan Coen)
76. The King of Comedy (1982) (dir. Martin Scorsese)
75. Short Term 12 (2013) (dir. Destin Daniel Cretton)
74. The Fighter (2010) (dir. David O. Russell)
73. Ben-Hur (1956) (dir. William Wyler)
72. There Will Be Blood (2007) (dir. Paul Thomas Anderson)
71. Playtime (1967) (dir. Jacques Tati)
70. My Darling Clementine (1946) (dir. John Ford)
69. The Assassination of Jesse James by the Coward Robert Ford (2007) (dir. Andrew Dominik)
68. The Sting (1973) (dir. George Roy Hill)
67. Sherlock Jr. (1924) (dir. Buster Keaton)
66. Eternal Sunshine of the Spotless Mind (2004) (dir. Michel Gondry)
65. Kagemusha (1980) (dir. Akira Kurosawa)
64. Citizen Kane (1941) (dir. Orson Welles)
63. Raging Bull (1980) (dir. Martin Scorsese)
62. Dog Day Afternoon (1975) (dir. Sidney Lumet)
61. The Life Aquatic with Steve Zissou (2004) (dir. Wes Anderson)
60. Some Like it Hot (1959) (dir. Billy Wilder)
59. Pulp Fiction (1994) (dir. Quentin Tarantino)
58. The Umbrellas of Cherbourg (1964) (dir. Jacques Demy)
57. It’s a Wonderful Life (1946) (dir. Frank Capra)
56. This is Spinal Tap (1984) (dir. Carl Reiner)
55. M (1931) (dir. Fritz Lang)
54. When We Were Kings (1996) (dir. Leon Gast)
53. The Gold Rush (1926) (dir. Charlie Chaplin)
52. Rosemary’s Baby (1968) (dir. Roman Polanski)
51. The Wages of Fear (1953) (dir. Henri-Georges Clouzot)
50. The Great White Silence (1924) (dir. Herbert Ponting)
49. Autumn Sonata (1978) (dir. Ingmar Bergman)
48. Withnail and I (1987) (dir. Bruce Robinson)
47. The Royal Tenenbaums (2001) (dir. Wes Anderson)
46. Before Sunrise (1995) (dir. Richard Linklater)
45. True Romance (1993) (dir. Tony Scott)
44. Before Sunset (2004) (dir. Richard Linklater)
43. Inglourious Basterds (2009) (dir. Quentin Tarantino)
42. 4 Months, 3 Weeks, and 2 Days (2007) (dir. Cristian Mungiu)
41. The African Queen (1951) (dir. John Huston)
40. A Matter of Life and Death (1946) (dir. Michael Powell, Emeric Pressburger)
39. Days of Heaven (1978) (dir. Terrence Malick)
38. Rushmore (1998) (dir. Wes Anderson)
37. What We Do in the Shadows (2014) (dir. Jemaine Clement, Taika Waititi)
36. 12 Angry Men (1957) (dir. Sidney Lumet)
35. It’s Such a Beautiful Day (2012) (dir. Don Hertzfeldt)
34. Casablanca (1942) (dir. Michael Curtiz)
33. Scenes from a Marriage (1973) (dir. Ingmar Bergman)
32. A Woman Under the Influence (1974) (dir. John Cassavetes)
31. Brief Encounter (1945) (dir. David Lean)
30. The Godfather Part II (1974) (dir. Francis Ford Coppola)
29. Do the Right Thing (1989) (dir. Spike Lee)
28. Meet Me in St. Louis (1944) (dir. Vincente Minnelli)
27. The Godfather (1972) (dir. Francis Ford Coppola)
26. Seven Brides for Seven Brothers (1954) (dir. Stanley Donen)
25. Wild Strawberries (1957) (dir. Ingmar Bergman)
24. Seven Samurai (1954) (dir. Akira Kurosawa)
23. All That Jazz (1979) (dir. Bob Fosse)
22. Fargo (1996) (dir. Joel Coen)
21. Dersu Uzala (1975) (dir. Akira Kurosawa)
20. Grizzly Man (2005) (dir. Werner Herzog)
19. The Thing (1982) (dir. John Carpenter)
18. A Serious Man (2009) (dir. Joel Coen, Ethan Coen)
17. The Searchers (1956) (dir. John Ford)
16. Dazed and Confused (1993) (dir. Richard Linklater)
15. The Social Network (2010) (dir. David Fincher)
14. The Apartment (1960) (dir. Billy Wilder)
13. Rear Window (1954) (dir. Alfred Hitchcock)
12. Winter Light (1963) (dir. Ingmar Bergman)
11. The Graduate (1967) (dir. Mike Nichols)
10. Harakiri (1962) (dir. Masaki Kobayashi)
9. The Night of the Hunter (1955) (dir. Charles Laughton)
8. Paris, Texas (1984) (dir. Wim Wenders)
7. Mr. Smith Goes to Washington (1939) (dir. Frank Capra)
6. Rocky (1976) (dir. John G. Avildsen)
5. Harold and Maude (1971) (dir. Hal Ashby)
4. The Exorcist (1973) (dir. William Friedkin)
3. Annie Hall (1977) (dir. Woody Allen)
2. City Lights (1931) (dir. Charlie Chaplin)
1. Punch-Drunk Love (2002) (dir. Paul Thomas Anderson)


Top 100 Films – Statistics

Movies by Decade:
2010’s: 6
2000’s: 15
1990’s: 13
1980’s: 9
1970’s: 18
1960’s: 8
1950’s: 15
1940’s: 8
1930’s: 3
1920’s: 5

Best Year:
2007 – 4 (No Country for Old Men, There Will Be Blood, The Assassination of Jesse James by the Coward Robert Ford, 4 Months, 3 Weeks, and 2 Days)

Most Popular Actors/Directors/Writers:
Ingmar Bergman5
Diane Keaton – 4
Wes Anderson – 3
John Cassavetes – 3
Seymour Cassel – 3
John Cazale – 3
Joel & Ethan Coen – 3
Robert De Niro – 3
Akira Kurosawa – 3
Richard Linklater – 3
Bill Murray – 3
Al Pacino – 3
Brad Pitt – 3
Talia Shire – 3
James Stewart – 3
Max von Sydow – 3
Quentin Tarantino – 3
Billy Wilder – 3
Owen Wilson – 3


Counting down 100 films in just 50 days was one heck of an adventure, and something I was fully prepared to give up on halfway through. The list got me through some tough times recently, and provided a nice goal and distraction for me to build towards. I’ve never been more proud of myself as a writer, and seeing #1 finally pop into my feed has been the most rewarding experience yet here at Sgt. Pepper’s Lonely Hearts Film Club! Thanks to everybody who joined me in the journey, liking, sharing, and commenting on posts, and to all those who read them in their spare time. Your support means the world to me, and I couldn’t have done it without you. Here’s to another great year of films and writing for everybody!

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Top 100 Films #18 – A Serious Man (2009)

 

untitled7#18. A Serious Man (2009)
Directed by: Joel Coen, Ethan Coen
Written by: Joel Coen, Ethan Coen
Starring: Michael Stuhlbarg, Richard Kind, Fred Melamed, Sari Lennick

Another bizarre and wholly unique film from two of the most talented filmmakers in Hollywood, the Coen Brothers.  A Serious Man is a much different film than anything Joel and Ethan had tackled in the past, and many critics have agreed that the film shows just how much the two directors have grown up over the years.  Their 2009 film follows a Jewish physics professor named Larry Gopnik (Michael Stuhlbarg) as his life slowly, but surely, falls apart around him. His son Danny (Aaron Wolff) is getting in trouble at school, his wife Judith (Sari Lennick) is in love with Sy Ableman (Fred Melamed), a respected member of the Jewish community, and his brother Arthur (Richard Kind) is involved in some less than flattering legal problems.  On top of all this, Larry’s application to receive tenure at the university is in jeopardy.  A Serious Man is another in a series of Coen Brothers films that sees a person’s life drastically changing for the worse, employing some of the classic dark humour found in films like No Country for Old Men, Fargo, and Barton Fink.  Though it’s a much more subtle humour than some of their films, the screenplay is a masterwork in terms of character study – Larry Gopnik is an immediately compelling character almost entirely due to how unlucky and unfortunate things are going for him.  Michael Stuhlbarg’s performance as Larry is pitch perfect – his frustration is always apparent, even though he almost never has the opportunity to give it a voice. Every time things seem to be going better for Larry, something else becomes muddled or another question is raised, creating more frustration and unhappiness in our unfortunate lead.  Fred Melamed’s supporting turn as Sy Ableman is hilariously maddening, with Ableman making Larry out to be the bad guy even though Sy is directly challenging his family dynamic.  While I hesitate to use a word like “underrated” for A Serious Man (it was even nominated for Best Picture at the Academy Awards in 2010), I feel as if it does get lost in the Coen Brothers’ impressive filmography.  It feels like a deeply personal project for the two brothers, and delves into complex and subtle themes of faith and destiny that are incredibly compelling and intriguing.  It’s a darkly hilarious and intelligent look at one man’s misfortunes, which is something the Coen’s do better than any other active American filmmaker.  A Serious Man is an unsung masterpiece, and deserves to be put on a pedestal beside films like Fargo, No Country for Old Men, and other Coen Brother masterpieces.

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Top 100 Films #69 – The Assassination of Jesse James by the Coward Robert Ford (2007)

 

-#69. The Assassination of Jesse James by the Coward Robert Ford (2007)
Directed by: Andrew Dominik
Written by: Andrew Dominik (based on The Assassination of Jesse James by the Coward Robert Ford by Ron Hansen)
Starring: Casey Affleck, Brad Pitt, Sam Shepard, Mary-Louise Parker, Paul Schneider, Jeremy Renner, Zooey Deschanel, Sam Rockwell

I was finally able to see Andrew Dominik’s seminal film The Assassination of Jesse James by the Coward Robert Ford last October, and I adored every minute of it.  While it may seem slow paced to some, Dominik’s deliberate pacing is exactly why the film succeeds in every way.  The Assassination of Jesse James is about exactly what the title suggests – we follow legendary outlaw Jesse James (Brad Pitt) and the James Gang as they rob trains and hide out in the woods, as well as at homes of their various members.  Young James Gang member Robert Ford (Casey Affleck) has been drawn to Jesse James by the lore that surrounds him – Ford both respects and fears the leader of the gang, and for good reason. Ford and other members of the Gang eventually conspire to assassinate their leader in exchange for the hefty bounty placed on his head.  The Assassination of Jesse James is a beautiful and intimate character study about one of America’s most interesting personalities, and a compelling look at the man who killed a legend for five seconds of fame.  Dominik’s script is carefully paced, placing emphasis on the development of our two main characters, rather than on large action set pieces.  The careful pacing of the film is perfect, building on the obvious tensions felt by the main characters.  By the time the film reaches the point of its titular assassination, I was on the edge of my seat – even though I knew exactly what was to come.  Cinematographer Roger Deakins photographed the film, often giving the film a worn, grainy look to evoke a sense of nostalgia. The film’s famous train robbery scene is easily Deakins’ standout moment in The Assassination of Jesse James, employing almost total darkness and natural lighting that makes the already intense scene feel even more immediate.  Andrew Dominik directs veteran actors Brad Pitt and Casey Affleck to two incredible performances, with both men giving rather subdued, quiet turns as Jesse James and Robert Ford respectively.  We spend enough time with both men to understand their characters inside and out – their motivations and aspirations are clear, as are their totally different views on life.  It’s a shame that the film was released in the same year as No Country for Old Men and There Will Be Blood, because it truly is a masterpiece on the same level as those terrific films.  If you’re a fan of westerns or intimate, satisfying character studies, the The Assassination of Jesse James by the Coward Robert Ford is absolutely for you.

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Top 100 Films #72 – There Will Be Blood (2007)

 

there-will-be-blood-plainview-eli#72. There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Written by: Paul Thomas Anderson (based on Oil! By Upton Sinclair)
Starring: Daniel Day-Lewis, Paul Dano, Kevin J. O’Connor, Ciaran Hinds, Dillon Freasier

The debate between the Coen Brothers’ No Country for Old Men and Paul Thomas Anderson’s There Will Be Blood has been raging for nearly a decade at this point.  Both incredible films released in 2007 and vying for that year’s Best Picture award, both camps have made some great points over the years about why their film is the superior one.  In my opinion, There Will Be Blood just barely edges out its competition, thanks in part to Paul Thomas Anderson’s meticulous eye for detail, the central performance by Daniel Day-Lewis, and the themes of greed and the deconstruction of American capitalism.  PTA’s film is about Daniel Plainview (Daniel Day-Lewis), an aspiring oil baron in early 20th century America, and Eli Sunday (Paul Dano), a young preacher looking to secure financing for his church.  We see Plainview’s rise to power, his strained relationship with his son HW (Dillon Freasier), their attempted acquisition of Eli Sunday’s land, and his eventual descent into apparent madness.  There Will Be Blood is another film on my list that comes in at well over two hours in length, and yet never meanders or overstays its welcome.  The pacing of PTA’s script (based on Oil! By Upton Sinclair) is perfect in every way, building Daniel Plainview as a man to be reckoned with, and establishing the world in which he exists in – where personal greed, religion, and the pursuit of the American dream all seem to clash.  The Academy Award winning cinematography from longtime PTA associate Robert Elswit is gorgeous, featuring sweeping landscapes, and profound visuals that push the film’s themes without having to say a single word. The towering achievement of There Will Be Blood is the Oscar-winning performance by veteran actor Daniel Day-Lewis, whose turn as Plainview is chilling.  No actor alive can match the intensity of Day-Lewis’ method acting technique – he embodies the spirit of Daniel Plainview in every frame of this picture.  Another performance that must be mentioned is that of Paul Dano, who plays something of an adversary to Plainview in Eli Sunday.  Dano’s occasional outbursts can be truly frightening, and his conniving nature is truly frustrating. It’s a shame that Dano didn’t get the admiration he truly deserved for the role, as it probably caused him to lose a nomination for Best Supporting Actor (though the deck was very much stacked against him).  There Will Be Blood is as perfect a film as you’ll find, telling an intricate, epic tale of greed in the booming days of the early oil industry.  It should really be considered required viewing at this point, as it’s a perfect example of how to create a compelling modern drama.

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Top 100 Films #77 – No Country for Old Men (2007)

 

nocountry_004#77. No Country for Old Men (2007)
Directed by: Joel Coen, Ethan Coen
Written by: Joel Coen, Ethan Coen (based on No Country for Old Men by Cormac McCarthy)
Starring: Javier Bardem, Josh Brolin, Tommy Lee Jones, Woody Harrelson, Kelly Macdonald

Widely regarded as the best movie of the 2000’s, the Coen Brothers’ adaptation of Cormac McCarthy’s novel No Country for Old Men is an undeniably powerful project.  It’s a story about circumstance, destiny, greed, and taking unnecessary risks – and is full of morally ambiguous characters and situations.  The film introduced the world to Javier Bardem’s terrifying Anton Chigurh, perhaps one of the most frightening villains of the modern era.   No Country for Old Men took home Academy Awards for Best Picture, Best Director(s), Best Supporting Actor (Javier Bardem), and Best Adapted Screenplay, beating out one hell of a stiff competitor in the same year’s There Will Be Blood.  The plot of the movie is simple – Llewelyn Moss (Josh Brolin) finds two million in cash at the site of a drug deal gone bad.  Moss is pursued by a dangerous and emotionless hitman named Anton Chigurh (Javier Bardem), hired to get the money back, and by Ed Tom Bell (Tommy Lee Jones), a nearly-retired sheriff in pursuit of both men. What follows is a bloody, suspenseful, challenging thrill ride matched by few films before it, and one whose influence can be seen in many films that have followed it.  The screenplay by the Coen Brothers is perfectly paced, gripping the audience from start to finish.  It never panders to its viewing audience by imitating popular thrillers, but is instead more than happy to take its time in telling an intelligent, and at times frightening story.  Javier Bardem is unpredictable as Anton Chigurh, bringing an unrivaled sense of dread to the film. While Bardem is far and away the highlight of No Country, we also get impressive turns from Josh Brolin, Tommy Lee Jones, and Woody Harrelson, all of whom do their best to match Bardem’s iconic performance.  The awards and praise earned by No Country for Old Men are all deserved, as is its status as one of the great films of the 2000’s.  It’s just that damn good.

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