The Blob (1958)
Directed by: Irvin Yeaworth
Written by: Kay Linaker, Theodore Simonson (Story by Irving H. Millgate)
Starring: Steve McQueen, Aneta Corsaut, Earl Rowe, Olin Howland, Stephen Chase
When you hear the description “characterless, personalityless ball of red slime terrorizes a small Pennsylvania town”, do you get excited for the nearly 90 minute journey that is 1958’s The Blob? Contrary to what my disappointed sarcasm may convey, The Blob was the film I was most excited to see during our epic 50’s Sci-Fi marathon. Boy, did I set myself up for one of the bigger disappointments of my tenure as an amateur movie blogger. Originally paired with a similarly low budget science fiction effort entitled I Married a Monster from Outer Space, The Blob eventually proved to be too successful to only serve as a drive-in B-flick. Directed by the virtually unknown Irvin Yeaworth, who made a career out of directing and producing lower budget sci-fi fare like 4D Man and Dinosaurus!, as well as hundreds of short religious and educational films and videos, it’s a wonder how The Blob was nearly as successful and memorable as it eventually became. More notable than its director, the film stars one of Hollywood’s greatest early action stars in Steve McQueen. With an unestablished cast and crew, The Blob is something of an oddity when compared to the five other films we’ve had the pleasure of covering. The script features none of the smart subtext or social commentary found in many of those previous films, and the film brings few original ideas or set pieces to the table. So why is it that we’re still talking about the movie more than fifty years after its release? That’s a great question, maybe somebody reading this review will be able to answer it for me, because I’m all out of ideas. Made on a meager budget of just over $100,000, The Blob was a tremendous financial success, grossing more than $4 million at the box office. The most notable thing about the film (apart from its surprising financial success), is the fact that it helped to launch the career of future mega star Steve McQueen. The Blob served as McQueen’s major motion picture debut, and the film’s success likely aided him in scoring bigger projects like The Magnificent Seven. In his debut, the nearly 30-year old future star of Bullitt unconvincingly plays a teenager who tries to save the town from the slow-moving alien gloopy gloop. Irvin Yeaworth’s classic film was remade thirty years later under the same title, taking a slightly darker crack at the story. While 1988’s reimagining of The Blob has managed to accrue a rabid cult following, that film somehow managed to be an even bigger flop both critically and financially. Studios have been looking at re-launching the premise for a third attempt for decades now, so it’s only a matter of time before The Blob hits the big screen once again.
The Blob begins with teenagers lovers Steve Andrews (Steve McQueen) and Jane Martin (Aneta Corsaut) doing what young people in love do best down at the ol’ lovers’ lane. The pair are soon interrupted by a nosy meteor that crashes nearby, so they decide to chase after it. We cut to an old man who finds the meteor before the young couple can, and discovers that it is filled with a jelly-like substance. In the blink of an, the substance latches itself onto the man’s hand. Unable to remove it from his skin, the old man runs into the road where Steve and Jane nearly hit him. Finding the man in a state of shock, the young couple decides to bring him to the local doctor in order to have it checked out. Once at his office, Doctor Hallen (Stephen Chase) takes the patient in and asks Steve and Jane to go back out and find the crashed meteor. Almost as soon as our lead characters have left the doctor’s office, the blob fully consumes the old man and goes after the doctor and his nurse. By the time Steve and Jane make it back, it’s too late. By now, the blob has become even greater in size and speed, and is quickly making its way through every living thing in the rural Pennsylvania town. Our two teenage (you’re still a teen at 27, right?) heroes manage to amass a small band of friends to track down the blob and stop it at any cost. They manage to track the blob to Steve’s father’s grocery store, but are overpowered and cornered by the strange mass. When they emerge, the two realize that the blob has made its way to the local movie theater, where hundreds of unsuspecting townspeople have no idea that the horrific and certain death is slowly creeping towards them. Can Steve and Jane save their friends and family from the creeping terror, or will the blob of unknown origins prove to be too much for humans to stop? Find out in 1958’s The Blob!
Steve Andrews (Steve McQueen) and Jane Martin (Aneta Corsaut) as our two lead characters in 1958’s The Blob.
If you haven’t been able to tell up to this point, I have to break the news and let you know that I didn’t get a whole lot out of The Blob. Maybe my expectations were too high going into the film, or maybe my previous viewing of the 1988 remake gave me more of a lust for blood and horror, or maybe it simply isn’t a great film worthy of decades of praise and analysis. Whatever the reason, I’m at the very least glad that I’ve finally crossed it off the never ending list of films to see. While The Blob isn’t the worst film I’ve ever sat through (I watched it twice, for what it’s worth), it’s riddled with too many problems for me to consider it worthy of the amount of praise it’s received in the 58 years since its release. The premise of the film is incredibly unique and full of potential, but the screenplay and uninspired direction neuters most of what could have been so great about a killer alien blob. Instead of taking an exciting and thrilling approach to the looming terror of the blob, the film spends a LOT of time just kind of…idle. Even though we spend a lot of time with Steve and Jane, we never really get to know who they are. Most of their key character traits are delivered to the audience through laborious expository scenes, making them infinitely less interesting or compelling than if the script had taken a subtle, natural approach. With no assistance from the script, lead actor Steve McQueen displays almost none of the charisma or charm that would make him a Hollywood icon later in his career. Nobody in The Blob feels remotely believable in the roles they’ve been given. I suppose it doesn’t help the immersion factor when we’re given a cast of people in their mid-late 20’s playing kids in their late teens. When things finally get exciting and the film is reaching its boiling point, I found myself not caring anymore because the buildup left too much to be desired. Instead of building to a reveal of the blob, we see the creature (?) immediately, and see everything it’s capable of doing within the first thirty minutes of the film. By giving us everything we could possibly want upfront and leaving few questions unanswered, the filmmakers give viewers very little to grasp onto for the last hour or so. The blob itself is a great idea in theory, but the film’s special effects just look silly and cheap when the camera lingers too long – which it often does. On the plus side, The Blob features some incredibly vivid and bright colour photography courtesy of De Luxe color and cinematographer Thomas E. Spalding. The photography makes watching the film incredibly easy, as it constantly looks interesting despite featuring bland (sometimes almost non-existent) direction. Luckily, director Irvin Yeaworth manages to get a few scenes right. Specifically, the famous movie theatre set piece is something that just has to be seen by horror or sci-fi fans. The tension in these scenes is palpable, and feels unlike anything else found in The Blob. The creeping horror brings a great deal of real dread with it, and makes it without a doubt the most memorable thing about the film. The shots of the blob oozing through the movie theatre’s ventilation system is horrifying and subtle, and as a viewer you feel for every single person unknowingly sitting in the dark with the thing. If only the movie as a whole was as great as these moments.
The culmination of The Blob‘s famous movie theater set piece.
The amount of love and praise given to The Blob over the years is something I just can’t wrap my mind around. While I see a lot about the film to enjoy or appreciate, the project as a whole is far too problematic for me to look past all of its flaws. The film looks great and has one of the greatest set pieces found in any film during our 50’s Sci-Fi marathon, but it’s not enough to offset the sloppy and flat out dull writing, the uninspired and amateurish direction, and the miscasting of most of the principal cast. The Blob is deserving of a truly memorable and grotesque big screen adaptation, as the idea is terrific despite its inherent goofiness. Unfortunately, the 1958 original isn’t the memorable or fun thrill ride it could and very well should have been. The Blob is not recommended.